My honest ranking of Taylor Sheridan’s American Frontier trilogy, which essentially changed neo-Westerns for the better, labels Sicario as a masterpiece. Hell or High Water is a close second, and Wind River is criminally underrated. After he worked his magic on the small screen, he arrived with Yellowstone, a compelling show at its best. Landman was an enjoyable surprise, and so was Tulsa King. I have also sat through Those Who Wish Me Dead, which made $23 million on a $20 million budget and disappeared into the HBO Max library almost immediately, and Finestkind, which holds a 28% on Rotten Tomatoes, and is best left there.